Tuesday, 27 December 2011

new year, new mind


The funkadelic George Clinton put this a little more playfully a few years back when he declared,
'Free your ass and your mind will follow.'
Majed Badra, Gazan artist, says it again, and just in time for New Year- تفكيرنا مقيد بسلاسل الجهل وثقل العقلية العاطفي Our thinking is restricted by the chains of ignorance and the mass of emotion.

Monday, 19 December 2011

Gilad Atzmon on an open sleigh


Here's a quick blast from the orient Ensemble to warm you up, starting with high-speed latin ,squeezing in a bebop Wonderful World and as it's December, Jingle Bells.

Tuesday, 13 December 2011

Higgs Boson


Cern scientists claim that they have caught a glimpse of the Higgs boson. Do you think that the Higgs Boson looks like this? Have you any evidence to the contrary?

Sunday, 27 November 2011

al-jazeera: Now we are five


So al-jazeera's english-language service is five years old. The CIA attempt to steal its thunder by setting up a US Arab-oriented news service hardly took off - more fishy (strictly small-scale) than phish. And the station's remit has expanded to give voice to the voiceless everywhere.

As Hilary Clinton said this week, America is still being left behind in getting its message heard. Even the Ruskies have an english-language broadcasting service. English, or "english" is the language of the computer age and is the long-established default option for any gathering of three or more differing linguists. Ironically, its dominance is due in great part to America's ubiquitous cultural presence (thank you, Mr Disney), so in a way, the US provided the rest of the world with the tool to cut it the cold shoulder.
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Saturday, 26 November 2011

insert music here



As history is rewritten, most of the music of the 'seventies towards the century's end tends to get marginalised. For many, the sign that the Melody Maker had lost the place was that it had not made the death of the King of Kool, MilesDavis, front-page. Elsewhere, music from the heart continued to flourish in all its colours. Jim Mullen's Blues Bag is mainstream jazz, but very much of its time. Technology, hard bop and the rock cross-over have extended the range of possibilities.

Friday, 25 November 2011

Another new gallery for Bristol



In the last few years three new art galleries have opened their doors to the Bristolian public and in a departure from the traditional experience of local entrepreneurs, have remained in business. Now one of those galleries, View, has extended its reach from home-base in Hotwells to the Centre.
View @ Harveys is up Denmark Street, that lane curving round behind the Hippodrome and resembling an exotic little piece of Soho.






The current show, by Mark Youd, of oversize monochrome portraits painted with an effortless panache, leaving the surrounding areas white and given an "antique" treatment, will be up until 22 January.

Wednesday, 9 November 2011

Palestine Film Festival - Bristol


Another first for Bristol! This winter between 1st – 10th December, the Bristol Palestine Film Festival will be celebrating Palestinian film, arts and culture at multiple venues throughout the city. With screenings at Watershed, Arnolfini, the Cube, and Hamilton House, we will be inviting audiences to explore the multiple realities and identities of Palestinian people. On wednesday 9th November the full programme was published online at http://www.bristolpff.org.uk/. On 3rd December,after a tasting, facilitated by Zaytoun, we screen Jaffa – The Clockwork’s Orange presented by Dr Ghada Karmi – a leading Palestinian activist, writer and academic. She is co-director of the European Centre of Palestine Studies at the University of Exeter, and a patron of the Palestine Solidarity Campaign and a member of the Executive Committee of the Council for Arab-British Understanding. Her memoir, ‘In Search of Fatima’, was widely acclaimed, and her most recent book. ‘Married to another man: Israel’s dilemma in Palestine’, is an analysis of the Israeli-Palestinian conflict from the Palestinian point of view.Guests wishing to attend the film and talk following the reception are kindly invited to purchase tickets (which will shortly be available) from the Arnolfini box office.
Picture: Arnolfini Bristol

Israeli pirates strike again



As reported by Democracy Now! - the Israeli government continues to hold a number of passengers seized in international waters 0n Friday 4th November, including my fellow-Glaswegian Hassan Ghani. while trying to challenge the Israeli naval blockade on Gaza. The passengers were on two boats — one from Canada and the other from Ireland — as part of the "Freedom Waves" flotilla. Some 20 activists are believed to remain in custody after refusing to sign statements asserting they had entered Israel illegally. Flotilla organizers have accused the Israeli military of physically assaulting some of the activists and tasering at least one of them. Democracy Now! correspondent Jihan Hafiz was among those detained despite her press credentials. Hafiz had been filing daily reports for Democracy Now from the Canadian ship named "Tahrir." She spent three nights behind bars, where she was strip-searched and denied phone calls to relatives for 48 hours. Israel has not returned her equipment or footage.commandos on all of these boats were heavily armed... It looked like they were taking on an army of a foreign country," says Hafiz, noting the masked soldiers pointed their guns at the heads of those on board. The report includes a rush transcript.

Update 12 November:
Hassan has been in touch from Istanbul where he is fine although he has no mobile phone or any other belongings. He is due back in the UK from Monday. He said the FCO told him his friends were working on his behalf while he was locked up and it made a massive difference to him.
For video, click here

Thursday, 27 October 2011

Spike Jones lives!



When we think about American humour, we really mean urban, New York humour; and on Manhattan, although Polish, Irish and other noisy cultures took root, the attitude we have to associate with the Island has always been Jewish.
While we're on Manhattan, look up the music. Before and after the birth of rock 'n' roll, the best in pop was coming out of the east-coast collision between trad Jewish and the Blues, from the Gershwins to the prolific sweatshop writers of the Brill Building to - well - Bob Dylan.


And right there in the middle was Spike Jones, dedicated to taking the mickey out of everything round him and while he was at it, mixing it in such a way that predated the 'invention' of Postmodernism. But no matter what the City Slickers got on to, they always sounded like a bunch of clever old friends having a good time at a Jewish wedding. I'll bet Gilad Atzmon, a bit of a joker himself, could fit in there easily enough if the time barrier could be lifted.

I've selected one recording by the Mad Maestro, which, although it's relatively laid-back, has a fair cross-section of the kind of noise you should expect in his platters. Another favourite, one of the first pop records I paid any attention to, was I went to your wedding, which ends triumphantly on the wrong note, really grinding it in. This, I am sure, had a profound effect on the formation of my own creative sensibility.
It helps, being born a Glaswegian: with the big cinema and dance culture there, "American" culture has always had a stronger hold than it has in the rest of Scotland or indeed the UK; and Glasgow gave birth to Dr Crock and His Crackpots as well as the 5th Goon, George Chisholm. Glaswegians naturally got the joke right away.

Spike Jones is a little like the Marx Brothers in that it's the whole idea we like, and no single tune or film quite sums it all up with the whole schtick. You may get an inkling, though. And your neighbours will, too!

Wednesday, 26 October 2011

Palestine: the last muse?



Is Palestine the "last muse"? If you follow the careers of several high-profile artists and musicians since they got hit by the middle east meatball you may well see it that way.Here are two for a start:
Joe Fallisi, popular Italian tenor, is more well-known in some international circles as the hyper-active Palestine blogger and activist; Gilad Atzmon, hard-working saxophonist, composer and author, dances across the crossover points between music, cultural history and entertainment, with his proseletysing always buried deep in the sound, although he always has plenty to say on the subject, given half a chance.

It happens. Anyone who goes to see Palestine for themselves is almost bound to return knowing they must act. Artists are in the business of making noise, and making their work into life. So you will hear about it.

Picture: Trio Joubran return the compliment, live in Bristol


Sunday, 16 October 2011

Mavi Marmara survivor questions UK complicity

“Some of the things that I find disturbing now, more than the scenes of blood, and the massacre itself are, I happen to live in the Finchley area. And sometimes, when I was looking at the soldiers on the boat, pointing their guns at me, I was thinking, do any of you have dual passports? Do any of you live just down the road from me?”







Laura Stuart, veteran of almost all the road convoys to Gaza and of course a fellow-voyager and survivor of mine on the Mavi Marmara, has this to say about the reality of walking in a free society, off the field of conflict. By omission at least, the UK Government may be complicit in covering over the implications of the attack

Friday, 23 September 2011

There's someone up there...

In countries that are predominantly muslim, skies full of death-dealing drones are now the status quo. These machines are, as we all know, manipulated by young people nurtured on Space Invaders, from the safety of monitors in computer rooms halfway away round the planet.

Wednesday, 21 September 2011

Through the Grass Darkly


Bob Sabiston, the man who oversaw that quiet mindblower of an animation, A Scanner Darkly, has a lot of other stuff under his belt, including this talking head session with park-bench philosopher A J Vadehra . Unless you live in a city big enough to support a cinema like, say, the GFT or the Watershed, the chances are you will not see this one on the big screen. Best not to wait for the message. Download, and let your mind relax...

Monday, 5 September 2011

Inside the blog

Geek news: this blog experimentally became EarlyExpress for several days. The original is back: All the grumpy attitudes and prejudices contained are as they were.

Friday, 2 September 2011

Israel Phil shouted down


Zubin Mehta was unable to conduct the Israeli Philharmonic Orchestra at theRoyal Albert Hall after several pro-Palestine demonstrators interrupted right at the start. The BBC immediately pulled out of their broadcast, doing a quick fade to a chorus of booing and footstamping. Musicians born as Israelis often find themselves in an awkward position when travelling and performing abroad, but when they are billed as the legitimate cultural representatives of such an alleged legitimate state as the apartheid regime of Israel, their position is indisputedly not on the side of rock 'n' roll. It's a great pity that these musicians - my fellow artists - should be used in such a way.

Monday, 8 August 2011

From rehab to the RWA in one day


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The mid-year batch of shows at the RWA contains enough to amuse and puzzle most people in roughly equal amounts. I visited with a small group of cultured professionals from Frenchay Brain Injury Rehab Unit; although we could have been non-artists from anywhere. I can confirm that my friends enjoyed themselves.
The Elisabeth Frink ‘Wild’ collection concentrates on the relationship animals have with humans, and with each other. It is genuinely wil
d in parts. As she said herself, this exploration is “better than just doing horses”. Or self portraits, which most of her (human) heads tend to be.

The Lisa Milroy geisha paintings were a surprise: she had a reputation for making medium-sized pictures containing rows of domestic objects. And it’s taking quite a risk making figurative work on such a scale. Despite the size and the painterly attack, they have a slightly comic-book, ‘pop’ look.




The Mary Fedden walls contain a potted history of part of English art: the earlier paintings are recogniseably of the same vintage as early Graham Sutherland and the other romantics of the late 'Forties.
But most of what is on view is recogniseably Fedden style: abstracted still lifes in harmonic colours, looking towards St Ives and beyond.



The show that has got the big bangs though is Jack Vettriano in the main gallery; the opening night featured actual tango dancers threading among the crowd - of course. It’s a surprise to see the paintings for real at first. Although they are quite small and not a lot bigger than the big-selling repros, they are surprisingly flat; in places almost like pop art (again) in their treatment. Well, fair enough: they are genuine pop art, of a sort. Vettriano shares the limelight with photographer Jeanette Jones; their double act is titled ‘Ballroom Spy’. Some of her work, which resembles movie stills from the 'Fifties as much as anything, was the raw material for some of his.

Also trumpeted loud was Damien Hirst’s contribution to the collection. He has hired some craftsmen to make a ten-up copy of the well-known disabled-girl-shaped collecting box. He gave the result a name: ‘Charity’, which somehow gives it the air of making a statement of a sort. Anyway, It stands in front of the RWA shouting, “Look at me!” which is all to the good, after years of Joe Public only being dimly aware of the edifice as an ancient office building hidden behind a car park.

One technical point last: I and my entourage visited on a mercilessly sunny day. Although the sun was beating down on the gallery roofs, we did not wilt, and remained cool and comfortable throughout. This is progress.




Photography: Che Ming Leung

Friday, 5 August 2011

The BBC bias over Palestine: Documentary







The above is an excellent and brief documentary about the BBC's bias when it comes to reporting on Palestine - including the indisputably shameful decision to refuse to broadcast an appeal after the devastation caused by 'Operation Cast Lead' in Gaza.

One day, and we hope it will be soon, it may emerge what pressures inside and outside the Corporation are behind its slant.

Tuesday, 2 August 2011

Peace activist to hit streets again?


The Scottish-born anti-war activist injured by a Bristolian Sun reader in April 2011 is well along the road to partial recovery in Rehab, and hopes to be upstanding at crucial events before 2012.

Tuesday, 19 July 2011

Home secretary trips over her own traps

http://youtu.be/4HfDmTTJijYhttp://youtu.be/4HfDmTTJijY
Yes! Watch as Theresa wings it entirely without a safety net, while wrestling with her own convolutions!

Saturday, 16 July 2011

Passport art


As this blog looks towards art as much as anything, and just to emphasise the international nature of it, here is a new, and ambiguously meaningful piece from my good friend, political cartoonist Majed Badra, in Gaza.

Sunday, 10 July 2011

Endless Sleep - a production classic


The night was black, rain fallin' down

Looked for my baby, she's nowhere around

Traced her footsteps down to the shore
‘fraid she's gone forever more

I looked at the sea and it seemed to say
“I took your baby from you away.

I heard a voice cryin' in the deep
“Come join me, baby, in my endless sleep.
Why did we quarrel, why did we fight?
Why did I leave her alone tonight?
That's why her footsteps ran into the sea
That's why my baby has gone from me.

I looked at the sea and it seemed to say
“I took your baby from you away.
I heard a voice cryin' in the deep
“Come join me, baby, in my endless sleep.
Ran in the water, heart full of fear

There in the breakers I saw her near

Reached for my darlin', held her to me

Stole her away from the angry sea

I looked at the sea and it seemed to say

“You took your baby from me away.
My heart cried out “she's mine to keep

I saved my baby from an endless sleep.
[Fade]
Endless sleep, endless sleep

......................................................

The original version of Endless Sleep was recorded - and co-written - by America’s
Jody Reynolds, but this echo-draped production is the one to go for. The combination of lyrics, music, performance and production is impeccable. It’s one of pop’s cut diamonds.
It’s the high point of
Marty Wilde’s short career as one of England's ersatz rock ‘n’ roll singers before he settled (like Tommy Steele) into family entertainment. The production is ideally suited to the content: right down to the backing chorus of monks behind that twanging guitar and Marty’s stylised moans and yelps. Despite the heavy atmosphere it may well have been recorded in a tiny room over a shop in London’s Denmark Street, also known as Tin Pan Alley. Another possible venue could have been Decca’s studio in Kilburn. Yes - I’m guessing! It’s another death song; always guaranteed to appeal to young teenagers who feel immortal, and it helps that the whole thing feels more like a very dark dream than anything, perhaps spun out of an opium pipe. Death never sounded more sexy. And it’s barely two-and-a-half minutes long - the perfect pop single.
The above conjecturing only serves to demonstrate my geographic knowledge of London's music history. The only contender here must be the incomparable Joe Meek, who had already produced Marty's version of 'Teenager in Love'.

.................

In jazz there is an equivalent recording: ‘
Cry Me A River’ by Julie London, also an irreducable gem (including one of the most audacious rhymes ever).

Friday, 1 July 2011

Political activist arrested on hearsay


salmaumerji middle east monitor
Sheikh Raed Salah, defender of Jerusalem in general and in particular al-aqsa, arrived in London on Saturday 25th using his Israeli passport to enter Britain legally as he has done many times before. He was not questioned by anyone and there was no indication of the existence of an exclusion order. Over the past few days, Sheikh Salah has addressed MPs in the British parliament and has spoken in large public gatherings. His subsequent arrest last night will be challenged in the courts as unjustified. This seems to be the beginning of a worrying trend of persecution of Muslims and pro-Palestinian activists.

Immediately after the Middle East Monitor [MEMO] announced that it was hosting Sheikh Raed Salah at a public lecture at Queen Mary University, a well-known pro-Israeli website circulated a catalogue of lies and fabrications about him which he has rebuffed for years.


On Thursday, 16th June, he issued an unequivocal statement in which, it has been reported, he refuted the claims. He ordered lawyers in London to challenge these fabrications in the British High Court.
On 24th June, lawyers acting on Sheikh Raed's behalf served notice on Andrew Gilligan of the Daily Telegraph and Robyn Rosen of the Jewish Chronicle. These procedures began before Sheikh Raed entered the country and were publicly announced.
None of the organisers of his lengthy schedule were contacted by the government or the police, either directly or indirectly, regarding the facts about him.
He began his programme of engagements on Sunday, which was followed with a roundtable in Parliament on Monday 27th June where he was speaking to a number of MPs, Lords and researchers in Committee Room 2A, in which he spoke for an hour. There was still no indication that he had been banned.
On the evening of Monday 27th he attended a crowded event in Conway Hall, Holborn, for almost three hours which was reported by the Jewish Chronicle. The Evening Standard claims he failed to appear. MEMO has a record of the event, with photos.
No policemen were present at the public event to arrest or question him before, during or after the event, despite any claims to the contrary.
Yesterday he made a speech in Leicester in front of an audience of more than one thousand for more than two hours. It was a successful event. And again, there were no police present.
However, during the day, the Daily Mail and Evening Standard circulated news that a ban was issued last week but for one reason or another, the exclusion order had failed to be enacted and that he had sneaked in, implying that he is on the run.
Lawyers contacted the Home Office in the afternoon asking for a clarification, although no one had contacted them. It is important to note that none of his legal representatives, who were widely known, were contacted. The Home Office refused to comment. Similarly, contact was made by the MPs and MEMO, and the Home Office again did not confirm or deny anything.
Around 11pm on Tuesday evening, Sheikh Raed was arrested in his hotel and taken to Paddington Green Police Station by the UK Border Police.
It is imperative to reiterate that he entered the country legally, with a legal Israeli passport and that the British government knew long in advance of his visit. They never contacted MEMO to find out the truth. The Sheikh himself was willing to challenge all the allegations in court. There were lies and fabrications made in the public domain, which he has rejected and he has never been charged with or convicted these alleged offences. He has expressed a willingness to challenge these in court.
One example of the baseless lies circulated was published in the Evening standard alleging that he failed to turn up to the Conway Hall event. In fact he was there for three hours and spoke to a large audience there.


Analysis
Raed Salah is first and foremost the pre-eminent political leader of hundreds of thousands of Palestinians in Israel. He is one of the main leaders of the biggest political party among the 1.5 million Palestinians in Israel. His appeal goes well beyond Arab Israelis and he appeals to all Arabs and Muslims who see him as championing the issue of Occupied Jerusalem and the right of Palestinians in Israel and elsewhere. His name is synonymous with Jerusalem and he is well known.
His treatment by the British government will not be taken lightly either here or abroad. By banning him after he began legal proceedings, it appears that the British government is seeking to obstruct the course of justice. He has already started legal action against those who circulated these rumours.
This appears to be initiating a trend by which we can expect that all Muslim, Arabs and human rights activists will be judged by rumours and denied the right to challenge in court those who spread libellous rumours about them.
The fact that we were not contacted shows recklessness and disdain for British citizens. If the authorities had wanted to ban him they had the opportunity to do it respectfully, but their recklessness is beyond imagination and it reflects the government's draconian nature.
Finally, MEMO understands that Sheikh Raed will challenge the deportation order in court. It is not he who is losing his reputation; he has been arrested in Israel on countless occasions for defending Palestinian rights, and now the British government is acting in the same way.
It will curtail freedom of speech in this country. At a time when the universal laws to prevent war criminals to enter this country unchallenge are being threatened, the double standards are clear. They judge Muslims on rumours and fabrications and allow Israeli war criminals to enter.
The Home Office have said that the deportation order was served as his deportation is deemed conducive to the public good under Section 3 of the Immigration Act
of 1971.
http://middleeastmonitor.us1.list-manage.com/track/click?


Update: 15 July 2011

Shaykh Raed Salah’s application for bail was accepted today by a High Court judge. Despite being denied bail last week, Shaykh Raed’s appeal was successful and he is no longer being incarcerated in a British prison.

Tuesday, 14 June 2011

Freedom For Palestine!

It has come to our attention that this potential Chart Topper is even now surfing the etheric waves. Enjoy!

...and tell all your friends!

Tuesday, 19 April 2011

Panorama "Death" - the final stretch

The saga grinds to an end at last:
The Editorial Standards Committee (the “Committee”) has ratified (i.e. approved) its finding for the nineteen appeals on Death in the Med, and publishes it today, Tuesday 19th April. Perhaps not a great surprise after the convoluted business of the complaints procedure: only 3 points were conceded. Below is a summary of the report, with one of the rejections, of probably the most justified complaint, about that fake recording, which I myself had pointed out had been in one breath accepted by the programme both as a fake and as a warning.


CONFIDENTIAL (EMBARGOED UNTIL PUBLICATION)

Summary
The Programme
At its meeting on 17 March 2011 the Editorial Standards Committee (the “Committee”)
considered together appeals from 19 complainants in relation to Death in the Med, a programme in the weekly current affairs series Panorama. Death in the Med was broadcast on 16 August 2010 on BBC One. It relates to the boarding at sea by Israeli commandos of the Mavi Marmara, which was part of a flotilla attempting to break Israel’s naval blockade of Gaza. Nine activists on board the Mavi Marmara, the largest ship in the flotilla, were killed and more than 50 passengers and nine Israeli soldiers were injured.

The Committee’s Finding
The consolidated appeal raised 51 points of issue; the Committee upheld three of those points (two in relation to accuracy and one in relation to impartiality) but decided not to uphold the remaining 48 points. Despite finding three instances where the Editorial Guidelines had been breached the Committee nonetheless concluded that, in tackling this highly divisive subject, Death in the Med had achieved due impartiality and due accuracy overall.
The Committee regrets any breaches of the Editorial Guidelines and apologises for them on behalf of the BBC. Whilst it expects the BBC to consider seriously any lessons to be learnt in respect of its findings, the Committee wishes to make it clear that it commends the BBC for having tackled this most controversial of issues. In the Committee’s view, the programme was an original, illuminating and well-researched piece of journalism. The Committee remarked it is unlikely that a current affairs programme such as this, covering such a contentious issue, would be found to be entirely flawless if it were subjected to the level of deconstruction and analysis that Death in the Med has undergone. However, the BBC is committed to the highest journalistic standards, and programme-makers must be prepared to face the most rigorous scrutiny when covering such contentious issues.
To summarise, with regard to the three upheld matters, the Committee concluded:
• In the absence of clear video footage of anyone being shot, material from the preliminary autopsy reports would have given a broader picture and added to the programme’s description of how the activists died. The Committee decided the information about the volume and nature of the gunshot wounds detailed in the preliminary autopsy reports gave a fuller picture of the manner in which the Israelis killed nine people and the level of force deployed by the Israeli commandos. The inclusion of some reference to the preliminary autopsy findings would have enabled the programme to achieve due accuracy as required by the Editorial Guidelines.
Accordingly, the Committee concluded that in this respect the programme had breached the Editorial Guidelines on accuracy (Point S).
• As regards the treatment of casualties by the Israelis, the imagery and the accompanying script line (“The Israelis evacuated the badly wounded to hospital”) would have left viewers with the impression that the badly wounded were all promptly and appropriately cared for. The Committee noted that, although not proven, there are detailed allegations of mistreatment of at least some of the casualties. The Committee decided that to achieve impartiality on the issue the programme was required to verify that the Israelis took proper care of the badly wounded. In the absence of such confirmation the programme was obliged to reflect the views of those who allege that the Israelis mistreated some of them. The Editorial Guidelines on impartiality provide that we must ensure we avoid “an imbalance of views on controversial subjects”. Accordingly, the Committee decided that in this respect the programme had breached the Editorial Guidelines on impartiality (Point AI).
• The programme accurately described some of the aid on board the flotilla (mobility scooters, hospital beds and medicines, two thirds of which the reporter said she had found to be out of date). However, the facts show that this was just a tiny proportion of a consignment which had consistedof thousands of tons of aid, including large quantities of much-needed building materials. As a result, the Committee concluded that the programme was not clear and precise in its presentation of the full extent of the aid on board the flotilla. Accordingly, the Committee decided there had been a breach of the Editorial Guidelines on accuracy (Point AR).


Point AB – regarding the allegation that the programme used an audio recording which the Israelis admit had been doctored; the impression left by the script was that the programme accepted the Israeli version of events

122. Relevant Script
The Committee noted that the relevant script for point AB was as follows:
Commentary: The Israelis released what they said was the radio response from the flotilla. Part of it was defiant and abusive.
Israel Military Recording: Shut up – go back to Auschwitz... We’re helping Arabs going against the US. Don’t forget 9/11 guys...
Commentary: The recording’s authenticity has provoked controversy. The flotilla’s organisers insist they did not hear these comments being made.
For the Israelis it was a warning sign things wouldn’t go that smoothly.

123. Context
The Committee noted that on 31 May 2010, (less than 24 hours after the Mavi Marmara was boarded by Israeli commandos) the IDF released 1’05” of video footage in which an Israeli naval officer is heard and seen issuing a warning to the Mavi Marmara not to enter the area under Israeli blockade; the abusive comments above do not feature in the footage.
The Committee noted that on 4 June 2010 the IDF released a 27” audio recording of what it said was a radio transmission between the Israeli Navy and the flotilla in which unidentified voices are heard making the anti-Semitic comments featured above. The picture accompanying the audio was a freeze frame image from the 31 May video. The subtitled audio was new material of the same officer speaking to another ship in the flotilla, the Defney.

The Committee noted that on 5 June 2010, after questions were raised as to the authenticity of the 4 June recording, the IDF released what it said was a clarification/correction:
“The audio was edited down to cut out periods of silence over the radio as well as incomprehensible comments so as to make it easier for people to listen to the exchange. We have now uploaded the entire segment of 5 minutes and 58 seconds in which the exchange took place and the comments were made.
“This transmission had originally cited the Mavi Marmara ship as being the source of these remarks, however, due to an open channel, the specific ship or ships in the ‘Freedom Flotilla’ responding to the Israeli Navy could not be identified.”

124. Allegation
The Committee noted the complainants said:
“(The reporter) stated that the comments were controversial. She did not accurately state that the flotilla organisers deny that they were ever made, merely that they had not heard them.”
“The voice in the recording was of someone apparently from around mid-America, cowboy country... despite admitting that the Israelis had given up trying to pass this off as genuine, (the reporter) goes on to say, ‘For the Israelis it was a warning sign things wouldn’t go that smoothly’. If we accept that the recording was a fake, we cannot in the same breath allege that it would have been perceived as a warning.”
“This (the commentary) is tacit acceptance of the Israeli story ... since this could only be a warning to the Israelis if the transmission had been made. This in turn reflects a bias in ... reporting.”

125. BBC Response
The Committee noted that the programme responded:
“The IDF stand by the actual verbal content of the tape.
“The script accurately reflected what the Israeli’s had released in the statement:
‘The Israelis released what they said was the radio response from the flotilla. Part of it was defiant and abusive.’
“We accept that there is controversy surrounding these tapes and therefore we clearly pointed this out:
‘The recording’s authenticity has provoked controversy. The flotilla’s organisers insist they did not hear these comments being made.’
“The press release issued by the Free Gaza Movement at the time – June 6 2010, said:
‘According to our Captain of Challenger 1, Denis Healey, a man with 25 years of experience on the sea, there would be no way that anyone could communicate with each other without the entire fleet hearing the exchange…
“there was no exchange like this by anyone on any boat during the entire time I was piloting the boat” said Denis.’
“The programme script accurately reflected the FGM’s (Free Gaza Movement) denial.
“We were told by the Israelis that the range of the radio/audio meant that it came from the flotilla. They could not confirm from which ship but were clear it came from somewhere in the flotilla.”
The Committee noted the ECU’s response:
“(the reporter) assured me that she was conscious of the general tenor of what the Free Gaza Movement and other activists were saying about the VHF recording and as a result of her research and interviews (both on and off the record) concluded that the debate centred around the question of whether activists would have heard the comments. This seems to me reasonable since it is possible that the comments could have been made from a VHF transmitter and not been picked up by some of the other craft in the area.
“I don’t accept that the wording used by (the reporter) gave the impression she tacitly agreed with the IDF version that the comments were genuine. Her comment could, I suggest, equally be seen as a straightforward summary of what the Israelis said to her to support their view that the activists intended to provoke a confrontation with Israel.”

126. Consideration
The Committee considered three separate issues:
• Did the programme use material that the IDF had admitted was doctored without telling the audience?
• Should the script have stated that the organisers deny the statements were made?
• Did the wording in the script suggest the programme’s “tacit acceptance” of the recording’s authenticity?
The Committee noted that the first issue relates to some confusion as to which audio recording the clarification on 5 June related. The IDF website states the 5 June clarification was to the release of the 4 June recording, and was unrelated to the 31 May release. As the quote from the IDF website demonstrates, the IDF did not “admit” the 4 June release had been doctored; the clarification explained it had been edited for clarity.
The Committee noted that the discussion about this tape has focussed on the activists’ denial that the comments were ever made. The activists base their certainty that it is a fraud on the claim that the voices did not match those of any of the Captains (and it was only they and Huwaid Arraf, Chair of the Free Gaza Movement) who had access to the radios), and that no-one heard the comments.
The Committee noted that (if it is accepted the comments were made) it is not known from which ship the comments originated, and the ECU argues that it is possible that comments made from one transmitter would not necessarily be picked up by all the craft in the flotilla. The ECU concluded therefore that the programme accurately reported that the organisers insist they did not hear the comments because it was not possible for the organisers to state with certainty that the comments were not made.

127. The Committee’s Decision
The Committee considered whether the BBC had complied with the Editorial Guidelines on accuracy. The Editorial Guidelines note that accuracy “is often more than a question of getting the facts right”. The Guidelines include the statement that “All the relevant facts and information should be weighed to get at the truth”. In addition, if an issue is controversial, the Guidelines say relevant opinions as well as facts may need to be considered.
The Committee decided the programme accurately reflected the content of the audio recording. The Committee did not accept the complainants’ argument that the audio recording had been proven to be fake, neither did the Committee find any evidence that Israel had said it was. The Committee considered that the programme had taken care to reflect fairly that which it could corroborate, i.e. that the flotilla organisers claim they did not hear the statements being made. The Committee decided the evidential base for the claim that the recording was a fake was not so strong that it obliged the programme to report that allegation too. The Committee considered the programme achieved due impartiality and due accuracy in stating the “recording’s authenticity has provoked controversy”.
Next the Committee considered whether, despite reporting the organisers’ denial that the comments were made and also reflecting that the authenticity had provoked controversy, the sentence below nevertheless implied the programme accepted the recording was genuine:
“For the Israelis it was a warning sign things wouldn’t go that smoothly.”
The Committee noted that the programme had made it clear that there was more than one view as to whether the radio transmission had been made. The programme makers
explained the Israeli point of view (i.e. that the audio recording was a radio response from the flotilla) and also the view of the flotilla’s organisers (i.e. that they did not hear the comments in the audio recording being made). As mentioned above, the programme specifically stated that the recording’s authenticity provoked controversy.
The Committee acknowledged a complainant’s argument that the statement “For the Israelis it was a warning sign things wouldn’t go that smoothly” was a tacit acceptance of the Israeli story. However, the Committee decided that this statement could also be interpreted as a summary of the Israeli position as described to the reporter rather than a tacit acceptance of the Israeli story. The Committee noted that the issue of whether or not the audio recording was a radio response from the flotilla was a controversial issue. The Committee concluded that Panorama had weighed the information and opinions available to them and had scripted accordingly. As a result, the Committee concluded that this was duly accurate based on the available information and opinions.
The Committee then tested the same sentence for impartiality. The Committee decided that the programme presented both the views of the Israelis and the views of the flotilla’s organisers regarding the authenticity of the audio recording. The Committee decided that the viewer would have understood from the section overall: that the Israelis claimed that the audio recording came from the flotilla; that the flotilla organisers denied hearing the comments in the audio recording being made; and that whether or not the audio recording was actually a radio response from the flotilla is disputed. The Committee concluded that the overall treatment of this issue was duly accurate and duly impartial. Nevertheless, the Committee agreed that programme makers should be reminded that when an issue is in dispute, it is extremely important in scripting to minimise the possibility of some viewers concluding that the programme has accepted a particular point of view.
Finding: Not Upheld

Friday, 15 April 2011

Ishbel MacAskill



Some days after the event, I've just heard that a light of life for many and one close to me personally, has gone out.


Angus MacNeil, MP for the Western Isles and the SNP's spokesman on Gaelic for the UK Parliament, came close to summing Ishbel MacAskill up when he said: "Not only was she a lovely lady but she had a unique voice with a wonderful warm quality, which matched her own personality. She will be a huge loss to Gaelic culture. Ishbel was a tremendous ambassador for the language." Tom Morton once wrote in The Scotsman that she was "arguably the world's greatest Gaelic singer".

Her interest in music went beyond the Gaelic, however: she turned me on to the early recordings of Ray Charles, for instance. I still have that record.


Ishbel MacIver was born and raised on Lewis, moving with her family to the island's capital, Stornoway, at the age of 12. Growing up, she moved south to the Big City, Glasgow, where she married Bill - from Lochinver - and worked for some time at British Rail. Her husband introduced her to fellow whisky lovers, Robin Hall and Jimmy McGregor, who tried to get her to join them professionally after hearing her sing at a party. But she didn't take up singing full time until 1979, when she was 38, and she appeared at a Mod fringe event. It wasn't long before her career took flight, and she swopped her 'lowland' name Isobel for the Gaelic original.

After years of globetrotting in pursuit of her muse, she died after hitting her head in a fall at her home in Inverness.

I'll remember her as always being full of love for everyone, vibrant with life; regardless of her size, a little larger than life itself.


Monday, 11 April 2011

A force for change and hope - too much for some in Palestine

Just a few days after I posted this film on my website, the director of the Freedom Theatre, Juliano Mer-Khamis, was shot in his car, his (uninjured) son on his lap. Born of a Jewish mother and Palestinian father, he saw himself as 100% both - at least logically enough. The Freedom Theatre was a resurrection of his mother's theatre group; he had made a film about her shortly before her death, 'Arna's Children'. Her original theatre was destroyed during the first Intifada.
He had had to deal with threats since reopening: a production of Animal Farm got under the skin of the PA for instance, who took it personally as a suggestion that Fatah was collaborating. That incurred a petrol bomb. But friends and colleagues are determined that his work in the theatre, children's education and liberation and as a force for reconciliation will continue. An international theatre festival is already at the planning stage.

He leaves his partner, Jenny Nyman, pregnant with twins. She said, " He was aware of the danger and, though he joked about it, he was sometimes afraid. But he always said that he would rather die on his feet than live on his knees."

Tuesday, 5 April 2011

Behind the Arab revolt - a word we dare not speak


24 February 2011

by John Pilger

Shortly after the invasion of Iraq in 2003, I interviewed Ray McGovern, one of an elite group of CIA officers who prepared the President’s daily intelligence brief. McGovern was at the apex of the “national security” monolith that is American power and had retired with presidential plaudits. On the eve of the invasion, he and 45 other senior officers of the CIA and other intelligence agencies wrote to President George W. Bush that the “drumbeat for war” was based not on intelligence, but lies. “It was 95 per cent charade,” McGovern told me. “How did they get away with it?” “The press allowed the crazies to get away with it.” “Who are the crazies?” “The people running the [Bush] administration have a set of beliefs a lot like those expressed in Mein Kampf... these are the same people who were referred to in the circles in which I moved, at the top, as ‘the crazies’.” I said, “Norman Mailer has written that that he believes America has entered a pre-fascist state. What’s your view of that?” “Well... I hope he’s right, because there are others saying we are already in a fascist mode.” On 22 January, Ray McGovern emailed me to express his disgust at the Obama administration’s barbaric treatment of the alleged whistleblower Bradley Manning and its pursuit of WikiLeaks founder, Julian Assange. “Way back when George and Tony decided it might be fun to attack Iraq,” he wrote, “I said something to the effect that fascism had already begun here. I have to admit I did not think it would get this bad this quickly.” On 16 February, Secretary of State Hillary Clinton gave a speech at George Washington University in which she condemned governments that arrested protestors and crushed free expression. She lauded the liberating power of the internet while failing to mention that her government was planning to close down those parts of the internet that encouraged dissent and truth-telling. It was a speech of spectacular hypocrisy, and Ray McGovern was in the audience. Outraged, he rose from his chair and silently turned his back on Clinton. He was immediately seized by police and a security goon and beaten to the floor, dragged out and thrown into jail, bleeding. He has sent me photographs of his injuries. He is 71. During the assault, which was clearly visible to Clinton, she did not pause in her remarks. Fascism is a difficult word, because it comes with an iconography that touches the Nazi nerve and is abused as propaganda against America’s official enemies and to promote the West’s foreign adventures with a moral vocabulary written in the struggle against Hitler. And yet fascism and imperialism are twins. In the aftermath of world war two, those in the imperial states who had made respectable the racial and cultural superiority of “western civilisation”, found that Hitler and fascism had claimed the same, employing strikingly similar methods. Thereafter, the very notion of American imperialism was swept from the textbooks and popular culture of an imperial nation forged on the genocidal conquest of its native people. And a war on social justice and democracy became “US foreign policy”. As the Washington historian William Blum has documented, since 1945, the US has destroyed or subverted more than 50 governments, many of them democracies, and used mass murderers like Suharto, Mobutu and Pinochet to dominate by proxy. In the Middle East, every dictatorship and pseudo-monarchy has been sustained by America. In “Operation Cyclone”, the CIA and MI6 secretly fostered and bank-rolled Islamic extremism. The object was to smash or deter nationalism and democracy. The victims of this western state terrorism have been mostly Muslims. The courageous people gunned down last week in Bahrain and Libya, the latter a “priority UK market”, according to Britain’s official arms “procurers”, join those children blown to bits in Gaza by the latest American F-16 aircraft. The revolt in the Arab world is not merely against a resident dictator but a worldwide economic tyranny designed by the US Treasury and imposed by the US Agency for International Development, the IMF and World Bank, which have ensured that rich countries like Egypt are reduced to vast sweatshops, with half the population earning less than $2 a day. The people’s triumph in Cairo was the first blow against what Benito Mussolini called corporatism, a word that appears in his definition of fascism. How did such extremism take hold in the liberal West? “It is necessary to destroy hope, idealism, solidarity, and concern for the poor and oppressed,” observed Noam Chomsky a generation ago, “[and] to replace these dangerous feelings with self-centred egoism, a pervasive cynicism that holds that [an order of] inequities and oppression is the best that can be achieved. In fact, a great international propaganda campaign is under way to convince people – particularly young people – that this not only is what they should feel but that it’s what they do feel.” Like the European revolutions of 1848 and the uprising against Stalinism in 1989, the Arab revolt has rejected fear. An insurrection of suppressed ideas, hope and solidarity has begun. In the United States, where 45 per cent of young African-Americans have no jobs and the top hedge fund managers are paid, on average, a billion dollars a year, mass protests against cuts in services and jobs have spread to heartland states like Wisconsin. In Britain, the fastest-growing modern protest movement, UK Uncut, is about to take direct action against tax avoiders and rapacious banks. Something has changed that cannot be unchanged. The enemy has a name. http://www.johnpilger.com/articles/behind-the-arab-revolt-is-a-word-we-dare-not-speak

Sunday, 3 April 2011

The Word as a Weapon

And for more on that US/South relationship, remember the PR "hands across" exercise blanketing the interventions south of the border: http://www.imdb.com/video/screenplay/vi4108714265/

Saturday, 2 April 2011

Afghanistan: militarism, mutilation and minerals



by IaraLee
When I was in Afghanistan, I had the honor of interviewing renowned activist, former parliamentarian, and feminist Malalai Joya. Her work and courage to denounce Afghan government's corruption and US occupation of her country have been an inspiration to many throughout the world. Knowing this, I was greatly dismayed but not surprised when the U.S. State Department denied Joya a visa to enter the United States for a speaking tour. Fortunately, after a campaign of public pressure, the U.S. government has relented, and Joya is now in the U.S. to share her story. Thanks to all who campaigned on her behalf! In conjunction with Joya's travels in the U.S., I am pleased to announce our short film "MILITARISM, MUTILATION, AND MINERALS: UNDERSTANDING THE OCCUPATION OF AFGHANISTAN". I urge you to watch, share the video, and stay involved with these important issues:http://www.culturesofresistance.org/malalai-joya

IARA LEE * CulturesOfResistance.orghttp://www.facebook.com/iara.lee.filmmaker.activist
http://www.facebook.com/CulturesOfResistance
www.huffingtonpost.com/iara-lee 

Wednesday, 23 March 2011

Yemen uprising - overview

by Judith Brown

In order for you to understand the Yemen uprising, and the uprisings in many parts of the Arab world, I would like to tell you about Amr. He is the sort of young man most parents would be very proud of. He has graduated from university with a degree in engineering. He is polite and well mannered, he always looks clean and smart. His parents are very ordinary people, his father a policeman, his mother recently made redundant from her job teaching hairdressing to refugees. Seeing that Amr needs new skills, they took on debt in order for him to take extra courses in IT and English, and he has worked hard at these courses. A year and a half after graduating, he is without work. His mother told me that he leaves home every day with his file of certificates, to visit prospective employers. He told me that he would be willing to do anything, and then he emphasised it, repeating, ANYTHING. He cannot leave home, or consider marriage, until he has an income, and he cannot see any possibility of an income at any point in the future..

In Yemen, 70% of the population is under 30, and 50% under 15. There is extremely high unemployment, especially amongst the young. Those who get jobs tend to have family or tribal connections - if you belong to a poor, unconnected family, your chances of finding employment is very low indeed.

But one way that people can get employment of a sort is by becoming a member of the balataga. These are thugs paid for by the President. They get 2,000 riyals a day (about £6), plus food and qat, the narcotic leaves that Yemenis chew. It is alleged that they are paid for out of money that US provided for anti-terrorist activity.

There can be no country in the world where the terrorist activity is over-egged as it is in Yemen. It helps the Yemeni government get aid from US, UK and the rest of the world. Despite claims that Al Qaeda in the Arab Penisular is now based in Yemen, there has been very little evidence of that except for a scatty plot over a year ago to put a bomb in a printer on a plane, and that failed. For example, there has been no large scale terrorist acts such as occurred in regularly Saudi Arabia before Al Qaeda was driven out.

Whereas the Yemeni military can be relied on to fight in places like Aden, with its separatist aims, and north of Sanaa where there is a Shia population, it cannot be relied on to fight in Sanaa, where the army is more sympathetic to the population. So the balataga has been used by the President to challenge protesters in Sanaa from the beginning of the uprising, occupying the central square, Tahreer, causing the protesters to set up camp outside the university, renamed as Al-ghreer Square, or Change Square. It is about two miles from the centre, on the ring road, and the main inconvenience was that traffic had to be diverted around their camps. Two weeks ago, the protests were virtually ignored by all, and everyone was just getting on with life. When talking to Sanaa residents, although they wanted a change, many said that Saleh was not as bad as many leaders in the Arab world. There were very few considering joining in with the protest.

There have been some military attacks on the students at Al-ghreer in the past weeks, and allegations of the use of a nerve gas that caused convulsions on student protesters. But the main attack that came last Thursday was almost certainly the actions of the balataga, although there is no emerging evidence either way of Presidential orders. Friends who live in the area tell me they heard machine guns firing for twenty minutes. I heard that the protesters were hemmed in by the army, whilst the balataga stood on roof tops, machine-gunning those below. So far, 52 have died according to the Yemen Observer, and 200 more were injured. The massacre stopped when student protestors went to the roof-tops and caught the protagonists and handed them over to the police. Despite Yemeni people having wide access to weapons, the protesters have not been drawn into using weapons as part of their protests, to their credit.

This dreadful event has resulted in many protest resignations. The head of the army and other top military officials, some of whom are now in tanks protecting the protesters. Members of the government, including the Minister for Human Rights. Ambassadors, including those to the UN and Lebanon. The President has declared a State of Emergency, sacked the government but asked them to keep on working until he appoints a replacement. Saudi is acting as a mediator between the President and opposition groups.

So where from here?
With the military divided, could it be a civil war? Without this massacre, it was very likely that Ali Abdullah Saleh would hang on to power, particularly since the unclear outcome in the Libya uprising, but now, everything has changed.

But it stands to reason that something has to give in Yemen. Apart from horrendous youth unemployment, the country is fast running out of water, with Taiz already out of water, and the capital, Sanaa, likely to be the first capital city in the world without water by 2015. At 8000 feet above sea level, this will present a huge challenge. The country's oil reserves are dwindling, Yemen is hoping to find gas but it won't be in significant quantities, and oil is currently its only significant export. And what is more, the known oil is in South Yemen, that demands separation from the North, making the issue more complex.

Whatever happens, ordinary Yemenis are in for a tough time, especially the young. I hope that young men like Amr find a future and are able to reach their potential, or I dread to imagine what will happen to the Arab world.