Sunday, 27 January 2013

The Great Survivors



Peter Conradi

ISBN: 978-1-84688-234-0

Alma Books

Peter Conradi, by being a kind of insider and by attending to his research, made quite a success of The King’s Speech, the best-seller that as a film won an Oscar. He returns to the territory with this look at the entire phenomenon of European monarchy, in an attempt to understand the archaic anomaly; and why and how it survives in post-industrial democracies where unearned deference is otherwise strictly a thing of the past. We aren’t just dropped in it, though: the book starts off with a race through the history; the rise and fall and rise again - opening with the highly visual Final Walk of King Louis-Auguste, followed by his wife Marie Antoinette. This might equally be the way to open the story if you were telling it as a film instead of a book. It could have been the beginning of the end for European monarchy(if Cromwell’s men hadn’t already done that in London a long time before), but in fact after this, whenever a country was faced with a choice of options including having an unelected toff as head of state they (including France after the revolution) tended to re-establish, and even newly created countries like Belgium wanted one, too. Today the subject has been mooted in Scotland (not entirely unseriously) as independence is news again.

We know, though, why newspapers and the rest of the news media pay so much attention to the royals. It sells. But the rest of it remains a complex puzzle. This book makes very good sense of the reasons for monarchy's survival into the twenty-first century.

Monday, 17 December 2012

New Gallery in Clifton, Bristol

Could this be the early flowering of recession's end? Yet another art gallery has just opened for business in Bristol, adding a nail in the coffin of the City's "reputation", which was only partly earned through it being contrasted with the city-state of London.
The new gallery is right in the middle of Clifton Village, which in some ways is Bristol's equivalent to Hampstead Village.  It's a small place, and the opening show reflects this - mostly small domestic-sized paintings and prints, in a fairly broad mix of styles and media. The gallery is called after its address: 11 Portland Street; not a bad piece of Bristol for a gallery. I hope it will be joined by others.

Saturday, 8 December 2012

2nd Bristol Palestine Film Festival

The second BPFF got off to a strong start at the Watershed Media Centre, with a large sold-out house showing Leila Sansour's '5 Broken Cameras'. (read the review here)The film, not only a joint Palestinian/israeli production but jointly funded by the protagonists too, was followed by a Q&A session with the director and guest Ken Loach. This tale focuses on the two-way pull artists who are political activists must deal with on some level, sooner or later, but never more viscerally than when the artist is behind a movie camera on the field of battle.
UPDATE: The '5 Broken Cameras' co-director, Imad Burnat,  on his way to Hollywood where his film was up for the 'Best Documentary' award, was detained with his family at LA airport and had to call  Michael Moore to help establish his credibility. Unfortunately, after the trauma, he didn't get the Oscar.http://journomania.net/culture/38-art-and-culture/806-imad-burnat-the-palestinian-director-of-the-5-broken-cameras-on-the-red-carpet.html

Wednesday, 29 August 2012

How Palestine art goes to public

Palestinian artists have been invited to show their work in Jordan. It's always good news when an artist gets the chance to go public, although this one will involve the inevitable waits at checkpoints and The Bridge

Source: Today in Palestine!

http://www.middleeastmonitor.com/blogs/culture/4202-palestinian-artists-invited-to-present-their-work-across-the-bridge-that-both-connects-and-separates-them-from-jordan

Friday, 24 August 2012

Pussy Riot set free

The punky protest girl group that bravely stood up against the Mr Lupin culture in Russia has been let out of jail, partly as a result of world-wide support. This is good news for anti-authoritaran activists everywhere; and as you probably weren't in Moscow at the time, here is what the fuss is all about: http://www.youtube.com/watch?v=grEBLskpDWQ
And if you would like to support them, go HERE

UPDATE 24 OCTOBER:
The most likely background to the above is that it was a PR stunt intended to demonstrate Lupin's 'leniency'. On 17th August 2012 Maria Alyokhina, Nadezhda Tolokonnikova and Yekaterina Samutsevitch were sentenced to two years imprisonment for their involvement in the Pussy Riot action at a Russian Orthodox Cathedral in Moscow. While Yekaterina Samutsevich has been released, the struggle continues.

Monday, 20 August 2012

Walking Doon The Gallowgate

Amazon/Kindle
This is a fine piece of light reading (with plenty of punchlines) as well as a vital chunk of social history. I'm a bit of a stone-face but I laughed out loud a couple of times. And it wasn't only over the whelks - or the mysteries of kissing. I could almost smell the place Dave Moffat is talking about; Anyone who has been a child will recognise  plenty in this shadowy but colourful memoir - and Walking Doon the Gallowgate is bound to find room on virtual bookshelves anywhere there is an ex-pat Glaswegian. That probably means everywhere.


Saturday, 18 August 2012

Calum Mackenzie 1945 - 2012

Calum working at Glasgow Print Studio, 2007 behind Jim Pattison
 Calum Mackenzie, contemporary of this blogger, died on Monday 13th August 2012.
As the Glasgow Print Studio announcement put it, 'Many will know of Calum as the charismatic first Director of Glasgow Print Studio (1975 - 1983) whose ambition took the print studio from a basement in St Vincent Street to substantial premises in Ingram Street, the first visual arts organization to move into the Merchant City.

It was the first such artist led organization and it is fair to say that he put the visual arts on the map of Glasgow with a number of innovative exhibitions and social events including the legendary Loveliest Night of the Year'.

Exhibitions that he played a large part in curating included The Scottish Cartoonists, Paintings by L.S. Lowry and Mark Gertler - The Early and Late Years. He also enabled the Print Studio Press, giving a number of writers the opportunity to be published for the first time. These included Liz Lochhead, Alasdair Gray, Alan Spence and James Kelman.
   Calum re-joined the print studio to develop his own work as an artist, creating 'truly amazing' digital work with great success, exhibiting at Glasgow Print Studio on a regular basis and to great acclaim at the Royal Scottish Academy in 2010.