Tuesday, 28 January 2014

pete Seeger

It's barely credible that just one man could have written - or co-written - so many songs that have been embedded in our culture for so long that they seem more like traditional airs with no known parentage. Including: If I Had a Hammer, Turn, Turn, Turn, Kisses Sweeter Than Wine, and Where Have All The Flowers Gone, which  may have sparked Bob Dylan into writing Blowing In The Wind. But the father of them all - Pete Seeger - musician and political activist, has died at age 94, in hospital in New York.
Seeger gained fame as a member of The Weavers, the quartet formed in 1948, and had hits including Goodnight Irene. Never one to sell out, he left the group when they agreed to appear in a tobacco advert.
He continued performing and recording for six decades afterwards and was still an activist as recently as October 2011, when he marched in New York City as part of the Occupy Wall Street protests. Seeger was a major figure in 'folk' music, and played a leading role in getting the world to take the banjo seriously as a virtuoso instrument. But it is as a songwriter that he is immortalised.


Sunday, 26 January 2014

Why does 'referendum' smell funny?

The universal fuss our news media are making about the forthcoming Scottish Independence referendum is bemusing; even baffling. So many scribes and hacks revealing the gaps in their long-term memories, and never one mention of the last referendum, which was fiddled by Jim Gallaghan's Labour government, losing Labour that weight-shifting traditional Scottish vote in the subsequent election and ushering in the Thatcher years. Ultimately an own-goal for Labour.
We who do remember find the current air of excitement irritating, as if it hadn't already been that way back in the 'seventies. But Labour insisted that the yes vote must be, not a majority of the actual voters, but (just to complicate it) rather 40% out of the total number of those entitled to vote. And even before we got that far, the ballot paper question was not the expected, "Do you want independence?" but "Do you want devolution?"
"Do we want whaat?"

Devolution had not been debated or even publically mooted, and for too many of us it was a blank neologism. I guessed (correctly) that it could mean anything and nothing. To make matters worse, American avant-garde pop group Devo was currently riding high in the charts with a single and album ironically celebrating 'devolution' by which they meant the dumbing-down of western culture. Having supported nationalism (and nothing but) ever since I came to voting age, I voted no.

Sunday, 19 January 2014

Buddhaland Brooklyn

Richard C Morais
Alma Books Ltd
ISBN: 978-1-84688-241
ebook ISBN: 978-1-84688-273-9

 
First of all, this is  an intimate examination of the ‘culture clash’ experience. You may find as I did, that reading it will have you re-visiting your own past encounters both as the  “I” and the “us”, with a new clarity. Morais has an uncanny ability to inhabit the voice of his protagonist, who suddenly develops  a colloquial streak, almost exposing a latent sense of irony, on arriving in hyper-active Manhattan - after speaking in nothing but literal terms of his simple upbringing in the cool, clear mountains and temples of Japan.
The language does a lot for the unspoken scenario - it’s the HD effect added to the already colourful descriptions as the Reverend Oda strives to turn adversity towards enlightenment.
Morais' last novel, The Hundred-Foot Journey, made it on to the silver screen; I'd like to see this one get the same treatment.

Saturday, 7 December 2013

Nelson Mandela

Nelson Mandela courtesy of Wikipedia
 When Nelson Mandela was designated an Amnesty International Ambassador of Conscience, he said:
‘Like Amnesty International, I have been struggling for justice and human rights, for long years… But as long as injustice and inequality persist in our world, none of us can truly rest. We must become stronger still.’ 

Truly, there is nothing more to be said.

Sunday, 27 October 2013

Obituaries: Two watershed artists

Two artists, each in his own way a man of the Sixties and whose work provided a  watershed in his chosen sphere, have left us.
Lou Reed, the pop star who changed the meaning of the title more than anyone in the 'sixties/'seventies, has died at 71. He left us a raft-full of new blueprints, their influence already disseminated widely by the millenium's end.

http://www.youtube.com/watch?v=UCMCS_xwtNk


For more: http://www.bbc.co.uk/news/entertainment-arts-24698207

Anthony Caro, the man whose medium was really the air-space contained by his big, brightly coloured constructions, has died at the age of 89. http://www.telegraph.co.uk/culture/art/art-news/10401828/Sir-Anthony-Caro-British-sculptor-dies-aged-89.html

Friday, 6 September 2013

Syria

When Alex Salmond, the lone voice of sanity, condemned the proposed bombing of Bosnia towards the end of the Yugoslav civil war, as "an act of unparalleled folly", he was almost right. In the days before D-Day, the Allies carried out bombing raids all over the northern  coast of France, the intention being to 'soften up' the enemy, but in reality killing lots of the French people who were up for liberation. The damage was still easily visible when I visited and looked in the 'fifties. The USA repeatedly followed a similar routine in Vietnam later on, bombing villages each time they were taken over by the Vietcong.


Sahara Complex, near Damascus


Some of us are capable of learning from history, if our politicians cannot. Do we want to follow the same incoherent behaviour again, with the long-suffering people of Syria as victims this time? The answer must be no.

Monday, 12 August 2013

US Artist killed by taser


Chy Walton and other supporters hold posters during a vigil for graffiti artist Israel Hernandez-Llach, who died after being shocked by a police officer's Taser, in Miami Beach, Florida August 10, 2013.(Reuters / Gaston De Cardenas)

 

The victim’s father, Israel Hernandez-Bandera spoke to Reuters, calling Israel’s death an “act of barbarism” and an “assassination of a young artist and a photographer.”

Hernandez-Llach’s female friend and former classmate, Lucy Rynka, had touching words to say about him: “he was a genius… He showed me how powerful art can be, how you can use color and design to relay a powerful message.”