
“I was a very antisocial child though, so there were other attempts before Isabel and Rocco - my first attempt at a full length novel was called Virgin Megastore, about a bunch of teenagers hanging out at the fun fair on Wimbledon Common.
'Then there were two novellas about demonic circus performers and psychic mermaids when I was thirteen. I found a copy of it in my Dad’s bookshelves recently – sweet that he kept a copy, considering it’s exactly the opposite of what I expect fathers want to know about their adolescent daughter – I was appalled at what was in my thirteen year old head. There are very detailed descriptions of people turning into animals, lots of screaming and groaning and body-transformation, and lots of confused adolescent sexuality.”
- It's very visual, I said - has there been any whiff of interest from film production?
“Yes, excitingly, the contract is being finalised at the moment. It's with an indie company in LA. I'm a big fan of the people involved and very excited, but I don't want to speak too soon. I haven't signed on the dotted line yet...
'Los Angeles is a very visual place. While The Pink Hotel explores the underbelly of the city and hardly touches on "the industry" (except that David, the love interest, is a paparazzi), I wanted the book to feel a little cinematic.”
I’m fairly confident that Pink Hotel could be a damn good movie. If ‘fairly confidant’ sounds lacking in actual confidence, think of (for instance) ‘Bonfire of the Vanities', which on paper reads like a can't-fail blockbuster; but by the time it got produced it came over as rather more ordinaire.
Isabel and Rocco sounds to me like yet another contender for the silver screen. I live in hope... Altogether now: ‘We believe in Tinkerbell!’
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